Tag Archives: advertising

Racializing the white nose in Japan

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What is it with white noses in Japan? Can Japan get past its seeming obsession with whites as long-nosed tengu?

Racializing white bodies is pretty much guaranteed to make a splash, as we saw with Toshiba’s bread maker (which was so good it would turn you into a white person), and ANA’s new international service (which again could turn you white).

Now we get Proctor and Gamble’s new ad for laundry detergent. The detergent smells so wonderful that it makes white people’s noses grow and flap around. These people were already white, so there’s no race-changing going on, just oddly morphing white faces.

So, what is it with white noses in Japan? As a white person with a somewhat prominent proboscis, I’d really like to know. And I’m definitely not buying this brand of detergent. The last thing I need is a bigger nose.

If your clothes stink, do white noses shrink? Cue the George Constanza reference …

For a more detailed look at this issue, visit Arudou Debito’s site, debito.org.

The fallacy of Japaneseness identity through the ideal of “white” Japanese skin 

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by Agathe Schwaar

For the four years I have been living in Japan, I have never felt attracted to Japanese cosmetic products, and for many different reasons. First of all, the TV commercials. They always show beautiful Japanese ladies with perfect skin, they would compliment the effect of their “whitening lotion”. They also would have this strange way to play with their skin as it was some British jelly and cry out how their skin is soft after applying the product. Second, I had never been able to find my skin tone among all the Japanese makeup available in the drug store. The foundation creams in Japanese are so pale that I would have looked sick if I had tried to wear some.

To remedy this situation, every time I go back to France I buy all the products that I need from face cleansing to shampoo and conditioner (for thin hair, which is not like Japanese hair). By being a western women in Japan, I clearly felt the assumption that Japanese people consider their skin tone as unique and specific to their “people”.

clipimage_21In her research on Japanese whiteness, Mikiko Ashikari (2005) tries to explain where the idea of a specific white skin among the “Japanese race” comes from. According to Ashikari, it seems less likely to be from Caucasians’ influence, since Japanese women considered Caucasian skin as “rough, aged quickly and had too many spots” (Ashikari 2005:82). The idea of white skin in the Japanese society is even more specific than any other features that could define the idea of being “Japanese”. Although Japanese change their hair color with dying products, their eye color with contact lenses, and their physical features with plastic surgery, they would never change their skin color because “the notion of Japanese skin works as one medium to express and represent Japaneseness” (Ashikari 2005:76). As Ashikari notes, by defining a specific skin color to their race, Japanese people are even able to reject the Okinawan people as a “second-class citizens” (Gibney quoted by Ashikari, 2005, p. 80).

b02602_ph02Actually, Japanese whiteness has its roots even before the Black Ships arriving in Japan during the 16th century. It is said that during Nara Period (710–94) and Heian Period (794–1185), Japanese women were already using diverse products to light their skin tone (Kyo 2012). The ideal of white skin is also found in a lot of literature of this period such as the Diary of Lady Murasaki and Tale of Genji (Kyo 2012). Back in the Heian Period, women would blacken their teeth and shave their eyebrows. Nowadays nobody would shave their eyebrows as a sign of beauty but the idea of white skin as the ideal of beauty among Japanese women is still a recurrent topic in Japanese society.

In the case of Japan, we are actually not facing an issue of white supremacy on a “secondary” race, but the emergence of the uniqueness of a specific and idealised race through notions of a Japanese race. The idea of a race is still a controversial subject in scientific research, and I think that the Japanese people’s attitude toward their own skin as a part of their own race should be also considered as controversial. If we follow the idea that whitening one’s skin in order to follow an old tradition that dates back to the 10th century, then the “French race” also should wear white makeup in order to respect the traditions from the 15th century.

The commerce of whitening products in Japan is not an issue of how much Japanese people spend on those products, it is an issue of how it feeds the Japanese mentality on their own uniqueness. As Ashikari (2005) explains, white skin in Japan is not only a beauty feature among Japanese women, it idealises the white face as a symbol of the “Japanese identity as a race and therefore very different from — and even “superior” — to western whiteness” (p.89). The marketing is using a single element to increase the belief of a unique race in order to make more profits. With these actions, they instill in Japanese people a fallacy of their identity and create an idea of a skin superior to any other white skin and so superior to any other kind of “white race”.

Reference

Ashikari, Mikiko. 2005. “Cultivating Japanese Whiteness: The ‘Whitening’ Cosmetics Boom and the Japanese Identity.” Journal of Material Culture 10(1):73-91.

Kyo, C. (2012). Search for the Beautiful Woman: A Culture History of Japanese and Chinese Beauty (Asia/Pacific/Perspectives). Rowman & Littlefield Publishers.

Japanese Whiteness and Bihaku Products: Media Influence on Aesthetic Values of Japanese Skin

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by Rena Shoji

Japanese model Chie Kumazawa in an interview for an online fashion magazine For F

Bihaku (skin-whitening) products are “must-haves” in Japan. I think using those products is almost considered as etiquette to avoid getting sun tanned to keep your skin tone “appropriate”. The market size is huge in Japan. In 2012, study shows that bihaku products consist of over 210 billion yen in the domestic market (TPC Bibliotech 2014). However, it is not that Japanese women have color complexes or feel inferior to the skin tone of Caucasians. They seek “Japanese whiteness”, which they claim a “traditional” aesthetic value in Japan. In “Cultivating Japanese Whiteness” (2005), Mikiko Ashikari argues that Japan has its own skin identity and aesthetic values, in which whiter skin is preferred.

First, Japanese people tend to think that they have a distinct skin tone (Ashikari 2005). Despite individual differences, people with darker skin by nature (jiguro), are seen as different or unusual. For example, people from Okinawa are likely to be considered as different from “usual (futsu–no)” Japanese because they share different historical backgrounds. Their darker skin is distinguished from ordinary Japanese. As a result, darker skin generates “otherness”. It reminds me of a friend of mine, who has relatively darker skin. She is often teased about her skin tone. “You don’t look like Japanese.” Her darker complexion makes her look like non-Japanese in the Japanese society. Therefore, Japanese people tend to think that they have “unique” and “traditional” skin identity and aesthetic values.

Second, with regard to Japanese skin identity, the author’s survey illustrates that Japanese women claim that they have “traditional” aesthetic values in terms of whiteness. Their Japanese whiteness, they think, is even superior to the skin of White people. Thus, skin-whitening in Japan is not mimicry of Caucasians. In addition, skin-whitening products are widely spread and its market scale is huge. However, the purpose of using those bihaku products is not to make their skin tone lighter than their “innate” complexion. Rather, skin-whitening in Japan are used to regain youth on their skin. It implies that the consumers think that they naturally have lighter skin and can regain youth and whiteness with those products. Many Japanese women try to avoid sun tanning in order to “protect their whiteness”.

Kumazawa in a SHISEIDO’s advertisement

Kumazawa in a SHISEIDO’s advertisement

However, I argue that the skin identity and aesthetic values, which Japanese think they traditionally have, can be questioned. Also, I would say that these ideas are strongly influenced by beauty companies in Japan because of its market size and the regulations on the advertisements. As mentioned above, bihaku products are very popular, or sometimes considered as “necessary”, and used by the majority of Japanese women. It can be said that those products, in part, influence the beauty standard of Japanese women. What are the media messages of the products through selling them? In fact, Japan Cosmetic Industry Association (JCIA) prohibits advertisements of cosmetic products from claiming skin-whitening effects (JCIA 2012). The recovery and prevention from san tanning are the only things that are permitted in cosmetic advertisements. The regulations would certainly affect the content of the advertisements. It also should be noted that even under the regulations, the models for the skin-whitening products actually show whiter skin than they really have.

Given both of Ashikari’s arguments and these two factors above, it can be said that the Japanese “traditional” aesthetic values are, in actuality, constructed by media messages. That is, in order to pass through the regulations and still create a demand for skin-whitening products, cosmetic companies claim Japanese women’s “innate” whiteness on their skin. Reciprocally, the media message from those prevalent market products influence on the aesthetic values of Japanese women. Furthermore, its influence is so huge that the consumers strongly believe in their “natural” light skin tone. Therefore, I argue that Ashikari’s arguments about Japanese skin identity and female aesthetic values are strongly influenced by bihaku products in Japan.

Many women enjoy using cosmetic and skincare products, but applying and consuming products can be an obsession if the society creates the specific beauty standard. In the case of Japanese skin-whitening, the products themselves and the media message create the social norm and aesthetic standard. We, consumers of these products, have to be aware of the impacts of media influence from cosmetic advertisements.

References

Ashikari, Mikiko. 2005. “Cultivating Japanese Whiteness: The ‘Whitening’ Cosmetics Boom and the Japanese Identity”. Journal of Material Culture 10:73-91.

Japan Cosmetic Industry Association. (2012). Guidelines for fair advertising practices of Cosmetics, 2012 Edition. Retrieved from http://www.jcia.org/n/all_pdf/gul/JCIA2012_ADguide.pdf

TPC Bibliotech. (2014). The market analysis and research of skin-whitening products. Osaka: Total Planning Center Osaka Corp.

Whiteness vs. Lightness: Advertising Happiness

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by Chelsea Mochizuki

In “Consuming Lightness”, Evelyn Nakano Glenn describes research that suggests there is a correlation between light skin and socioeconomic status, and that lighter-skinned individuals are perceived to be more intelligent, trustworthy, and attractive. Skin tone, she writes, is a form of symbolic capital, and the lighter the skin the more social privileges you are awarded, such as increased job and marital prospects, as well as the concession to shop at “white” stores without being followed around by a security guard who profiles you as a shoplifter because your skin is dark.

Why is light skin favored over dark skin?

Glenn writes about 6 regions where light skin has been and continues to be favored over dark skin: Africa, African America, India, the Philippines, East Asia (Japan, China, Korea), and Latin America. She attempts to identify the origins of the preference for light skin over dark skin in these regions. In Africa, she says, women with red or yellow undertones to their skin were traditionally considered more attractive, and European colonization created a hierarchy based on skin tone, in which the social privileges of lighter skin became institutionalized. In this way, she describes the origins of preferring lighter skin in these regions as based more on a traditional beauty ideal than on the influences of colonization. Lighter skin preferences in the United States and the Philippines were due to racialization and colonization, and especially slavery in the United States. In East Asia, she writes, there are instances of preferring white skin long before the threat of colonization. In India, however, she writes that the origins of skin preference are lesser known, but most likely became ingrained into social hierarchy due to colonial influence.

So was the preference for light skin mostly created by colonization and/or contact with Western European powers? According to Dr Premen Addy, a senior lecturer in Asian and international history at Kellogg College, Oxford, before the Raj in India, good characters from folklore were always described as light skinned, and bad characters as dark skinned. This association of light as good and dark as bad is certainly not unique to India. In many regions, it seems that colonization did not directly influence the preference for light skin, but rather, through institutionalizing the social privileges of having light skin, made having lighter skin socially beneficial.If a new government formed in your country and said that people with green skin do not have to wait in line and get extra income without having to work, people without green skin would suddenly want to have green skin, regardless of whether there was a preference for green skin before the new government formed.

Is the preference for whiteness or lightness?

Glenn was careful to point out that women and men were not trying to emulate white beauty standards or look more like Caucasians. According to Glenn, in all of the regions she described, most women are aspiring to become two or three shades lighter, even out their skin tone, or reduce signs of aging. Even in the case of the Philippines, most women, she says, aspire to look more Chinese or mixed-Spanish, like Filipino celebrities. Using skin lightening products does not necessarily mean that one wants to become “white” or “Caucasian”. Rather, it suggests the opposite. Lighter skin has become the Indian, or Filipino, or South African beauty ideals, separate from the beauty ideals of Europe or the United States. To say that skin lightening is emulating western culture is not only inaccurate (except for individuals who literally aspire to become more Caucasian in appearance), but ethnocentric in assuming that “Caucasian” beauty is the universal ideal and consumers of skin lightening products aim to emulate this.

The “Evils” of Advertising

Glenn describes the types of commercials and advertising used to sell skin lightening products, such as infomercials that associate light skin with modernity, mobility, and cleanliness, and others that bluntly suggest dark skin leads to unhappiness and with only light skin will you achieve prosperity. This insight is nothing new; advertisers, informercials, and commercials often use this “problem, solution” strategy to sell their products– just look at the examples in this youtube video, “hilarious informercial struggles compilation”.

“This skin-lightening product is the solution to your dark skin and the unhappiness and misfortune it brings you!”

In order to sell products using this strategy, advertisers have to paint their skin-lightening product as the solution. In order to have a solution, there must be a problem to solve, and solving that problem must be perceived by individuals as worthwhile. Acne, unwanted hair growth, enlarged pores, cellulite, flabby arms, single-lidded eyes– there is a plethora of media-painted “problems” we must focus our efforts and wallets on “solving” in order to be “happy”. However, how many of these problems have been institutionalized, to the point where it affects anything from social status to the degree in which certain laws are enforced? Has anyone with bad acne ever been barred from entering certain stores or sitting in certain seats? How about cellulite? None to the extent in which skin tone dictates social privilege.

Do you think advertisers created the association between dark skin and unhappiness in order to sell skin lightening products, or rather are introducing a solution to a problem that has already been established in society? What do you think?

Reference

Glenn, Evelyn Nakano. 2009. “Consuming Lightness: Segmented Markets and Global Capital in the Skin-Whitening Trade.” In Shades of Difference: Why Skin Color Matters, edited by Evelyn Nakano Glenn. Stanford, CA: Stanford University Press.

Marketing lighter skin in South Africa

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by Yusuke Shiga

Lots of cosmetic companies have globalized their markets by using ingenious marketing strategies, and the number of consumers of these products has proliferated. Especially skin whitening products are purchased in many countries and the inclination for whiter skin is so prevalent, yet the causes of this social phenomenon are complicated. In this writing, I’d like to focus on this trend in South Africa.

In this complicated discourse, there are two main factors, social structure and marketing strategies, specifically advertisements. First of all, as for advertisements, companies have sold the products by highlighting their great effects on the skin with pictures of consumers who successfully achieved the whiteness and nice skin condition, and also emphasized that having whiter skin improve their dating and marriage prospect. In fact, the winners of beauty competition were chosen for the models of many advertisements and encouraged people to buy the products. Moreover, these ads stressed the healthy aspects, the commodities protect your skin from the harsh rays of the sun and make your skin smooth or brighten. Most importantly, these ads said “manufactured for black by their brothers/sisters in U.S.”, this phrase tremendously encouraged them to use cosmetic products.

Concerns about social structure, racial hierarchy, and apartheid have played significant roles on seeking whiteness. The social stratification/class were determined by one’s racial category, and lower class, colored had limited access to occupation, education, housing, and so on. Therefore, for them whitening skin tone means racial uplift and getting chance to become wealthier. Within the society, white skin implicated modernity and progress, because during that time, not only wealthier people and whites but people who looking for better jobs migrated from rural area to urban area.

However, in the 1960s, an anti-skin whitening movement occurred, because black politicians and nationalists criticized this trend as “betraying the race.” They insisted to be proud of their skin color. Plus, the fact that scientists proved that ingredients in skin whitening products were harmful to skin fostered this anti-movement.

While after it was proven that using these products might cause serious skin troubles like “chubabas,” which are purpled patches of skin, some continuously put these chemicals on their skin. The struggle black Africans faced is depicted in the film “Skin” by Sandra Laing. This movie is based on a true story and shows the strong impact of the skin color in everyday life in South Africa. The ironic scene is that parents who are both white rejoiced to hear their child who had been recognized as colored before was authorized as white.

In my opinion, the main reason why these issues still persist is because there is possibility that you can move to higher class after using these products, even though you also have possibility of having “chubabas”. Especially, lower class tend to become addicted to cosmetics, due to the strong racial hierarchy in the society, and this “high-risk high-return” ideology has a powerful effect on whitening products addicts, I think. Yet, various elements are connected to this social matter, we need to analyze more from different perspectives.

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From Ebony to Ivory: Colorism in the Philippines

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by Jiyang Shin

The ever-expanding skin whitening market in the Philippines seems to have distinctive characteristics compared to the markets of other countries that also value lighter skin tones. In the discourse of colorism, many tend to conclude that the phenomenon of skin whitening obsession is largely due colonization by European conquistadors; however, that is not always the case in the Philippines.

I would like to raise an example of skin whitening advertisement, featuring Jinky Oda, an African American comedian in the Philippines. The advertisement is composed of before-and-after pictures of Oda. On the left hand side is Oda’s torso before she went on the skin whitening pill. She is in a white tank top, wears gold hoop earings, and has her natural curly hair all swept back with bandana like hair band; a casual style of a typical African American woman that we can easily relate to.

On the right hand side is Oda after finishing the pill, in her brand new bleached-up skin. However, that is not the only significant difference that one can tell from the picture. Other noticeable features are that her attire is considerably more dressy than the left side (you can notice it although the ad only shows down to her chest), but even more importantly, the texture of her hair has turned silky and straightened like the East Asian look that a vast number of Filipino women crave.

One can observe sinister motives behind this marketing. In the book Shades of Difference, Joanne L. Rondilla argues that there are generally three major messages that are conveyed in skin whitening advertisement in the Philippines:

1. Darkening can and must be stopped.

Why? Because having dark skin does not make you good enough.

2. Lightness comes from “within”.

This message misleads people into thinking that their natural color is lighter than they expected, thus their desire to turn white is achievable.

3. Lightening can happen instantly.

The advertisement that featured Oda is unethical because it links having darker skin with wrongness by dressing up her in casual attire. In addition, she seems to have more weight in her before picture, implying she was sloppier when she had a darker skin tone (fatness is often linked to laziness). Such indirect messages have the great potential of stirring up or further encourage racism and discriminations against certain groups of people.

As for why many women in the Philippines opt for a Chinese or Korean look, I argue that it is due to racial hierarchy that exists among Asian countries. For example, in South Korea, people of Southeast Asia origin encounter difficulties renting rooms and searching for jobs. Moreover, in Japan, Filipino people are often referred to as “Pina”, which is a derogatory term used against women who perform in sex-related work. Such unequal treatment might have gradually developed a sense of inferiority towards people of lighter skin color in East Asian countries. I argue that people attempt to escape from such discriminations by assimilating into those who discriminate against them.

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Media and Gender: Do Japanese TV Commercials Deepen Gender Gap?

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by Sanae Tanaka

On Japanese TV, you see a lot of advertisement commercials for alcohol, such as beers, whiskey and non-alcoholic drinks. In these TV commercials, mostly beautiful women are holding the product and smiling to the camera. This is something very “traditional” to use woman as a symbolic character in alcohol advertisement, because advertisement itself is often targeting male consumers. For example, every year, many Japanese alcohol companies have competition for “Campaign girl of the year” and recruit young girls as a “campaign girl”. In the poster and advertisement of the “campaign girl”, the girl is always wearing bikini or sexy dress and the advertisement is spreading and will be posted all over the pubs and bars in Japan every year.

It is obvious that women have been “sexual object” as a product for men in Japan. Beautiful women wearing sexy clothes and holding alcohol is very male domineering and happened to be good tool to selling these products. However the problem is that alcohol advertisements have not changed so much for long time. There are more feminism movements than before in Japan and they have become popular. However, although feminism and post-feminism ideas have become gradually known to Japanese, the way of advertising men targeted products have not changed their idea. That men dominate women socially, culturally, traditionally and sometimes as sexual objects is the reality of Japanese media.

It is obvious that in Japan, even in the media field, male dominant situations still strongly exist and the ideal women’s role is still being men’s dream. Women are still being sexual object for men and even for commercial as a product. Strong women are only accepted for women itself, and men’s idea towards women have not changed much. Because we see the media all around us everywhere, we can say that it has strong impact on our idea.

To change the present gender stereotype situation, the role of media is necessary, however, to change the gender stereotype is not only a problem with media, but the things that consist media, such as culture, history, tradition, morals and national identity, are very significant and cannot be ignored and should be considered carefully.

References

van Zoonen, Liesbet (1994) Feminist Media Studies. London: Sage.

Dow, B.J. and Wood, J.T. (eds.) (2006) The SAGE handbook of Gender and Communication. Thousand Oaks, Calif.: Sage Publications. Parts: Evolution of Gender and Communication Research, Feminism and/in Mass Media

Hausman, R, K Tyson, and S Zahidi. World economic forum. Gender Gap Report 2010. Geneva: World Economic Forum, 2010. Web. http://www3.weforum.org/docs/WEF_GenderGap_Report_2010.pdf.

Globalization and the image of success

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by Asako Morita

Globalization brings us so much information by mass media such as TV and Internet. Historically, America and other western countries have led world economy and therefore they who have succeeded in business and living sophisticated life became the model of success. Whether they are actually happy or not, media especially TV dramas which shows how free city life were broadcasted all over the world and people tend to think this would be the life when they become rich. The scariest thing is globalization even change typical life style and people’s life aim.

Especially, I was interested in women’s global beauty. The globalization made the ideal women and people take it as a big market. This global market and the typical ideal beauty invades society and culture, and sometimes people think it can destroy tradition and originality, I think no one can stop it in this capitalism leading world economy and even it influences a lot, the basic identity and tradition would never change.

For instance, since pale became the image of success among worldwide women, whitening products were targeted by multinational companies and sold thousands of them. These advertisements such as TV commercials also created the image clear and even more penetrate in society.

Not only whitening products but also choice of clothes is influenced. When I visited India, I was so surprised when I saw TV programs. Most shows broadcasted totally western lifestyle. Women are dancing at dance club wearing sexy dresses. Even woman wear a sari which is a traditional Indian dress was exposing shoulder and the breast. It was like Indian actors and actresses imitate part of American culture. I remember that I felt so strange the pictures I saw on TV were completely different from what I saw on the street outside.

However the fact TV programs, other multinational products and other factors affect on different countries and culture, I think this is the result of globalization and capitalism. As long as America which is a capitalism country leads the world economy, we can never stop the image formation and marketing of multinational companies. It may influence on different cultures, but it does not ruin each culture. Traditions and basic cultural morals cannot be changed easily since they have taken over for long time. The western influence may create different life aims but culture and lifestyle have changed in each time and I think people are just adapting how to live the present age.