Slave Market (Photo credit: Wikipedia)
by Keb Meh
“Blumenbach…singled out a particular group as closest to the created ideal and then characterized all other groups by relative degrees of departure from this archetypal standard. He ended up with a system that placed a single race [Caucasian] at the pinnacle, and then envisioned two symmetrical lines of departure from this ideal toward greater and greater degeneration… his ideas have reverberated in ways that he never could have anticipated… (Gates, 2013, p. 5)”
The often told myth of creation in Ethiopia is that God, when He went to create man, placed a lump of clay (or dough) into His oven. God’s first effort was a failure, He had taken out the mixture too early and it was white, and from it white-skinned peoples were created. God, not happy with that creation, would try again but on this occasion He kept the mixture in the oven for too long. Contrary to His previous effort, it was black and from that God made black peoples. God, unhappy still, would place a third mixture in His oven. On this occasion, it would appear that the oft-repeated cliché ‘third time’s a charm’ rings true even for the God of Abraham. It would seem that having learnt from His previous failures that God knew when to take the clay-dough out of the oven and from this well-baked specimen were born the Ethiopians.
Hermeneutical approaches have typically (and rightly) recognized that this creation story should be read as a metaphorical explanation rather than a literal explanation (the literal explanation accepted by the Northern Highlanders of Ethiopia was and is the Orthodox Church’s Genesis Story). However, in this creation story there is an obvious rhetoric vision; the Ethiopian as the racial ideal with two symmetrical lines of departure, on one side stood black people and on the other stood white people – both below.
Slavery had been a custom in Ethiopia since antiquity as it had been for all of the trading empires of antiquity. However, the institution evolved from being a product of trade with other empires of antiquity (Rome, Greece, Egypt, Persia) to a consequence of warfare between the Muslims of north Sudan and the Christians of northern Ethiopia. Slavery, or rather slaves, was tied to warfare as opposed to racial constructs. Nonetheless, the Middle Ages and Early Modern would see Ethiopia enveloped in the extensive Arab slave trade and it is here one can trace the racialization of slavery.
From the Middle Ages, Ethiopian “people made careful distinction between themselves and Negroid people,” this was a consequence of Ethiopian merchants having been at the forefront of fulfilling the insatiable demands of the Indian Ocean slave trade. Ethiopians by being Christians were (technically) not to enslave one another. The result of Ethiopia’s participation in this international slave trade was the creation of what was to become a firmly entrenched pseudo-scientific racial hierarchy which placed the black peoples hunted for sale (denigratingly referred to as barya), who lived on the periphery of imperial Ethiopia’s then expanding boundaries, at the bottom and justified that brutal exploitation. Their intellect, religious customs, civilizations, and, most importantly, appearance would all come to be a racialized phenotype that could not be ‘cleansed’ by being included in the Ethiopian empire nor through inter-marriage.
So potent were these phenotypical delineations that a linguistic culture of slave/non-slave dialectic emerged to describe barya physicality (very dark skin, nappy hair, flat nose, thick lips) and behavior (oversexed, jovial, child-like, stupid). Furthermore, a complex (and ridiculous) racial classification came to be to categorize the children of mixed-heritage (slave and that of their Ethiopian slaveowner). There were names to describe those of 1/16th black heritage.
It is tempting for Western scholars to relate these racial constructs to Western ones. P. T. Tucker described Ethiopia’s racial distinctions between their brown, yellow and red selves from the darker peoples they enslaved as “peculiar kind of prejudiced” because it existed “in both America and Ethiopia”. Tucker makes a truly false comparison, ignoring that Ethiopia’s peculiar prejudices extended to the ‘poorly baked’ white races. The disastrous Jesuit efforts in the 16th century and the interactions of Ethiopian slave merchants with Muslim Arab traders as early as late antiquity had crafted an image of white peoples as ungodly, untrustworthy, mischievous and oversexed. Blackness was equated with a filial piety comparable to beasts of burden but whiteness with jackals, and that was so much worse. Furthermore, in Tucker’s determination to relate Ethiopia’s prejudicial racial structures he ignores the nuances that existed between the dominant ethnic groups of Ethiopia’s Empire (Tigrayans, Amharas, Oromos) and the minority castes that inhabited the middle ground between the black slaves, and the Northern Highlanders.
In our classes, we have critically discussed the use of historical narratives as explanations for the transnational constructs that exist in modernity. In these classes, we have touched upon authors that have discussed the historicity of lightness and its valorization in India, Korea, China and Japan. In this short essay, I wished to discuss the historical narratives behind Ethiopia’s beauty ideals (or rather the beauty ideals of Northern Ethiopia). Ethiopia in many ways makes for a fascinating discussion on beauty. The infrastructure of domestic slavery, black peoples as serfs tasked with menial and agricultural tasks, in Ethiopia existed until the overthrow of the ruling Imperial House of the Ethiopian Empire in 1974. The head of Ethiopia’s Stalinist Junta Mengistu Haile Mariam said, “In this country some aristocratic families automatically categorise people with dark skin, thick lips and kinky hair as ‘Barias’. Let it be clear to everybody that I shall make these ignoramuses stoop and grind corn!”
That system of enslavement was inextricably tied with a racial hierarchy and pseudo-racial myths for many centuries. It is, sadly, still a well-remembered institution among Ethiopia’s war generation, baby boomers and Generation X. Therefore, it still reverberates throughout society. Ethiopia is only now beginning to industrialise, its middle income minority is slowly burgeoning and consuming foreign media content. It is here, at this cross-roads that it will be interesting to see how beauty standards informed by Ethiopia’s centuries old racial hierarchy will evolve.