The connection between Tokyo Sonata and precarious Japan

Posted on June 25, 2014 by japansociology

Tokyo Sonata (Photo credit: Wikipedia)

by Yume Furumura

Tokyo Sonata is a movie which shows a breakdown and a bit of hope in an ordinary family in Japan. There are a lot of messages of this movie, but I’d like to analyze it focusing on “ibasho” and “jiko sekinin” of the ideas in Anne Allison’s book, Precarious Japan.

Allison writes “If only we have hope and respect, we can live. But without a secure means of existence, many today have no place or sense of home at all [ibasho].” In this movie, each member of the family looks for their own “ibasho”. For example, Ryuhei (the father and husband) lost his job, but it was the only ibasho for him. Then, he starts to pursue his new ibasho. The other members of the family also search for it. However, Allison has doubts about Japanese’s having problems of “ibasho”. She says as follows, “instead of finding shelter for their dream making, many feel exiled but not to anywhere else as much as to nowhere at all?” It does not necessarily mean that all Japanese don’t have their house. However, if it is a form-only house, it doesn’t occupy their mind. In fact, the family of the movie has a house, but it is just the house for them. It was not ibasho.

The older son loses “kibo” (hope) because he cannot find a good job and believes that he will never be acknowledged by society in Japan. The son got tired of the structure of Japanese society, kakusa shakai. Therefore, he decides to be a soldier in America for finding a new ibasho and for his family. Ryuhei was strongly against what he tried to do. However, the son went to America with “jiko sekinin” (self-responsibility). According to Allison, “Couched in a rhetoric of ‘quality of life’ and ‘living independently,’ this turn to individual responsibility (jiko sekinin) and return to family or household is the signature of government attempts to privatize care and cut back on state spending.” Even if the son dies in America, the government of Japan wouldn’t do anything, because it is his (the son’s) jiko sekinin. In fact, Megumi tried to confirm her son’s safety, but she couldn’t do even that. If I were in the son’s shoes, I would probably think that whatever the outcome, it is better to go to America than live in disgrace in Japan.

I was surprised at the close connection between the movie and what Allison’s book says, because it is a Japanese who made the movie, and it is a foreigner who wrote the book. Japan has been thought as a rich country by people in other countries. However, a lot of Japanese feel that they are not happy now, and the perspective of the future of Japan may start changing. I want Japan to be the society that all of the people can have hope, and I expect the hopeful story will be made next.

Reference

Allison, Anne. 2013. Precarious Japan. Durham, NC: Duke University Press.

Tokyo Sonata: a look into precarious Japan

Posted on June 25, 2014 by japansociology

Tokyo Sonata (Photo credit: Wikipedia)

by Marina Furuichi

“Tokyo Sonata” is a film which describes a breakdown and a faint ray of hope in a family. The outline of the story is this: In Tokyo, the Sasaki family lives in a town. Ryuhei, the father of the family, is fired, but he can’t tell his family the fact. His two sons also have their own secret. In addition, one day, his wife Megumi is drawn into involvement in a robbery. In these situations, however, little by little, they begin to find a faint ray of hope while all the family has each their own feeling. In this movie, some parts of recent precarious Japan which Allison states such as jikosekinin is depicted. I will states the review in terms of jikosekinin, kodoku, and mendōkusai which are the issues that Allison states.

First of all, I’m going to state my analysis of the movie in terms of “jikosekinin”. In the beginning of the movie, father, Ryuhei, is fired because the company decided to employ Chinese workers who work for a smaller salary than Japanese. In the scene, after the company tells that he isn’t needed in the company, his superior says, “What can you do for this company? Do the rest by yourself.” I think the line is one of the best examples of idea of “jikosekinin”. As the movie shows us a negative side of “jikosekinin” in Japan, I think they easily abandon people who is not useful by using the word “jikosekinin” because especially, Japanese company place great importance on their benefits. Government also imports on their policies such as “privatizing more and more of (what once were) government services under the banner of “individual responsibility (jikosekinin),” as Allison (2013, p52) states.

Second, I will state my analysis of the movie in terms of “kodoku” and “mendōkusai”. There is a scene which Kenji who is a younger brother talks with his piano teacher. He learns the piano without saying it to his family. One day, he happen to learn that the teacher decided to divorce. Then, he says to her, “I understand you. There is more time I want to be alone than that with someone. I have to be worried about hurting someone when I’m with someone.” In this scene, I think people who choose “kodoku” to live in easier human relationships without “mendōkusai ningenkankei” is described. According to Anne Allison (2013, p100), “young people say marriage is mendōkusai [a nuisance]; they’d rather protect their money and time for themselves.” There is a link between the scene of the movie and the passage in Allison’s book. I think that both of them refer to that there are many people who want to be alone to run away from “mendōkusai ningenkankei” in Japan.

Reference

Allison, Anne. 2013. Precarious Japan. Durham, NC: Duke University Press.

Japanese issues in “Tokyo Sonata”

Posted on June 25, 2014 by japansociology

Tokyo Sonata (Photo credit: Wikipedia)

by Tomohiro Doi

In class, we watched the film “Tokyo Sonata.” This movie showed issues in Japan. A man was fired and he looks for work but he cannot find it. In his family, he tried to hide that he was fired. And his family became hopeless and worse than ever before. Then his family members broke up and relationship of that became weak. He frantically tries to bring his family together. However, his family still broke up.

I think this movie shows the modern Japanese society faithfully. The minority which is no job people and fired people are despised by the majority. A certain people were driven to suicide. And then I think this movie displayed not only unemployment but also all problems in Japan.

In Anne Allison’s book, Precarious Japan, an important issue in Japan, especially the breakdown of family is described and it is connected with this movie. Allison interviewed the Marxist sociologist Adachi Mariko. She argued about this problem appropriately. She said that the Japanese stereotype that is male work outside female stay at home as housewife has broken down. Therefore the male as breadwinner broke down. And the man’s family corporate system has ended little by little.

Allison said that the family corporate system linked a particular structure of work to one of family and home. However, this system have changed. In this movie “Tokyo Sonata,” the man behaves as a breadwinner male and worries about himself authority in family. But he was found out to be unemployed and work as a non-regular employee. Allison wrote about hope for the breakdown of family. In this book, it was about Tamura Hiroshi, who is a Japanese talent now. In his middle school student time, his family broke down. In his family, his mother died two years ago and his father brought up his two children. However, he could not work and he abandoned his two children. In the movie, father could not work and looks like to break down his family.

Now, the break down of family could connect with a case. In these days, a certain man divorced and broke down his family. And he was not able to bring up his son and to kill him. Like this, like “Tokyo Sonata,” this breakdown of family may connect with a crime and disintegration of relatives.