by Robert Moorehead
Political posters are a common site in Japan, and—surprisingly from an American perspective—are rarely defaced with graffiti. In this case, Prime Minister Abe’s policies met with some public disapproval.
by Robert Moorehead
In all social processes, you have to have the word ‘inclusion’. … without that word, I’m not going to change the world, and they’re not going to change me, because they’re going to have that culture of defense [from me]. Not resentment, but defense.
Lately I’ve been working on a paper for a conference, and I’ve been fixated on an interview with an immigrant father. Juan (a pseudonym) is a Peruvian of Japanese descent who migrated from Peru to Japan more than 20 years ago. Juan expresses his frustration over what he sees as the lack of inclusion of Peruvians and other migrants from developing countries in Japan, in contrast to the greater openness to foreigners from the United States or Europe.
I don’t have a voice (in Japan), and I never will have it, because they (the Japanese) will never know what I think. But, in this case, if an American or someone who speaks English and who has been to school … they’d say ‘Ah, he’s American,’ but in our case, Japanese descendants, all we have the surname and the face. That’s all I have in this society.
Sociologist Tanya Golash-Boza (2006) notes that we learn our place in society through social interaction, including whether to expect inclusion or exclusion. Based on his interactions, a married Japanese man in Japan may expect that his voice will be listened to, and that his relationship with his romantic partner will be valued. In contrast, a member of a subordinate group, such a racial, ethnic, or sexual minority, may learn instead to expect to be ignored, denigrated, or otherwise marginalized. In Juan’s case, he’s learned to expect to be excluded from decision-making at work, to be asked when he’s leaving the country, to have weak relations with his Japanese neighbors, and to be treated as if all Peruvians were alike.
Precisely what are we Peruvians missing in Japan? (Respect, I reply.) Exactly. Because we don’t have it. … We all have different amounts of education, and other experiences, but the Japanese don’t see us that way. They see us all the same. …
Thus, even as many Peruvians in Juan’s housing complex diligently follow the local housing rules and keep quiet to avoid bothering the neighbors, they still risk being blamed when problems occur. As Karen Tei Yamashita writes in her brilliant novel Circle K Cycles:
A tour of Homi Danchi [housing complex] … gives you a sense of an oppressive quiet—the sound of sleeping people who work the night shift, the sound of a silent majority who want very badly to be accepted, the sound of people trying very hard to be quiet. Even the children seem to play quietly. This is as quiet as Brazilians can possibly be. This is probably as ruly as it gets.
And yet, loud music blaring from an apartment will bring suspicions that the offending party is Peruvian or Brazilian. If the guilty party is found to be a Japanese teen, the prior suspicions will still be justified, as one time, years earlier, it really was a foreigner.
For example, what I see in the factory, the highest position you could get is leader. Leader of who? The Japanese? No. Leader of the foreigners, foreigners like Brazilians, Paraguayans, and others. But here I can’t achieve more, I’m never going to achieve more. I’m never going to be a permanent [employee]. So that whole situation, it’s not resentment toward the Japanese, because my father and mother were Japanese, if they weren’t I wouldn’t be here. But it’s not a feeling of resentment, it’s more that the Japanese need to be more open toward foreigners ….
In a situation like this, how do subordinates respond? How can they respond? Openly complaining about poor treatment risks further marginalization, including having your complaints seen as proof that foreigners are incapable of integrating into social life in Japan—a logical fallacy that confuses cause and consequence and blames foreigners for their own marginalization.
Subordinates can, and often do, resist in many ways, as James Scott notes in Weapons of the Weak. Juan describes avoiding integrating further into Japanese society, saying “they’re not going to change me” and that he has only “semi-adapted.”
What we do is, we haven’t gotten used to it, we’ve semi-adapted. Semi. … I am more included, semi-included, in Japanese society than others. Why? Because of my physical features and my last name (which are Japanese).
This pattern of only “semi-adapting” means that Juan is done trying to fit in. It’s less a sign of resistance than of self-protection. If Japan includes him as a member of Japanese society, and not as a ‘foreign guest,’ then he’s happy to participate. But “you have to have the word ‘inclusion.’”
Whether the second generation will follow this pattern is unclear. Juan’s children are fluent Japanese speakers and envision their future lives as adults in Japan. As Juan notes, such an approach is essential for their future employment prospects in Japan. However, they may still face the stigma of their foreign ancestry.
Here in Japan, I’ve always thought that if you’re thinking of living here in Japan, in my children’s case, with semi-liberty practically (laughs). But they’re going to live here, so they’re going to have to study more, to be able to compete in whatever profession as foreigners with Japanese, because they’re fighting against one thing, that they’re not Japanese.
I’m hoping to decipher the contours of this pattern of ‘semi-adapting’ in a journal article. In the meantime, these blog posts will hopefully stimulate the analytical process, keeping things moving. What other examples are there of this approach? How can we better understand the experiences of assimilation/integration/incorporation of first-generation immigrants?
- Golash-Boza, Tanya. 2006. “Dropping the Hyphen? Becoming Latino(a)-American through Racialized Assimilation.” Social Forces 85(1):27-55.
- Scott, James C. 1985. Weapons of the Weak: Everyday Forms of Peasant Resistance. New Haven, CT: Yale University Press.
- Yamashita, Karen Tei. 2001. Circle K Cycles. Minneapolis, MN: Coffee House Press.
Folks in the Kansai region who missed seeing the Hafu film during its run in Kobe are in luck. The film is showing at Osaka’s Nanagei Cinema, within walking distance of Juso station, until February 21. The film plays once a day, at 6:45pm until February 14, and at 8:35pm from February 15 to 21.
This blog has discussed the film and related issues regarding hafu (people of mixed Japanese ancestry) many times, and the fine folks at the Hafu Project have graced our classrooms on several occasions. This film is an important step in a movement toward a more inclusive notion of Japanese identity. Come be a part of the conversation, and see the film in Osaka before it closes on February 21.
by Kyungyeon Chung
Upon walking into a drug store in Japan, one will find an array of cosmetic products that promises hopeful transformation into what today’s Japanese society perceives as beauty. These end results the products promise – fairer, whiter skin, brighter teeth, bigger eyes, and longer eye lashes – all embodying the ideal that originated from the Western, Caucasian-centric beauty standards.
The cosmetics industry, even on a global scale, operates on the platform provided by Western standards of beauty, and especially by the colorism ideology that has penetrated into deep corners of modern society. At the same time, the beauty ideal and colorism are not self-sustaining. Their presence and growing prevalence are made possible by numerous industries that profit from the growth, with the cosmetic industry being a major stakeholder in play. By constantly being made to consume products designed with a limited set of objectives and outcome, the consumers are constantly reminded of the beauty ideals behind the products. The global cosmetics industry and the Western beauty standards based on colorism, mutually reinforce each other’s existence and influence.
In order to fully understand the core of modern society’s beauty standards, it is imperative to know the colorism ideology that frames the entire discourse. Colorism refers to “the preference for lighter skin and social hierarchy based on skin tone”, and has been widely expanding throughout the globe (Glenn, 2009, p.166). Being one of the main axes behind inequality today, it occurs at societal, systemic level through social structure that permits systematic discrimination towards darker skinned people. In many different regions and nations around the world, light skin tone has historically been preferred to dark skin tone, and given higher social status and easier access to social and economic resources (Keith, 2009, p.25). Although the beauty ideal does include other phenotypic aspects than skin complexion such as desirable weight, body shape, and facial structures, skin tone does hold significant importance, if not the most.
This ideology of colorism has been directly translated into the Western beauty ideals. Up high on the list of what composes the ideals is ‘fair’ skin. Having lighter, fairer, and whiter skin gives a great advantage in one’s life, and is central to the very definition of beauty. Having been spread as part of the ideological rationale for slavery and colonial imperialism of the European powers (Keith, 2009, p.27), the “white is better” or “white is right” idea still pervades modern societies thanks to mass media. Today, these ideologies are strongly embedded in ways we admire, desire, and look upon fair skin. Its importance can be easily understood and highlighted by the popular practice of skin whitening, which will be elaborated further later. It is also important to note here that females are subjected to these standards much more frequently and strictly than males (Keith, 2009).
In modern societies with capitalist economic system, the beauty standards manifest themselves as profitable industries whose products promise the achievement of ideal beauty via consumption. As societies are deeply instilled with consumerism, selling and buying beauty have been a huge, popularly sought-after business than ever. Plastic surgery is one of the most common and provocative examples. Cosmetic surgeries have spiked up in number and scale around the world: 14 million surgery procedures were performed in the US in 2011 (American Society of Plastic Surgeons, 2012); close to 7% of the population has undergone knife in South Korea in 2010 (Bates, 2013). A wide range diet-support programs, machines, and food products are readily available to help people lose weight.
Among many industries that thrive on our search for beauty, the cosmetics industry deserves particular attention. For instance, unlike plastic surgery, which may seem invasive, dangerous and rather extreme, putting on makeup is seldom-questioned practice for women. While showing up at school after a holiday with larger breasts may cause a stir, putting on mascara would hardly be an issue. For many, it is a daily routine, an ordinary and even expected behavior. It is also continuous – women who use skin care products will probably continue to do so for years to come. While it may seem trivial at first, considering the commonality and regularity of skin care and makeup, the cosmetics industry is massive, universally pervasive, and commercially successful.
The cosmetics industry owes much of its existence and enduring popularity to the beauty standards. An impressive array of products is available to help people achieve beauty as prescribed by the Western ideal. Eye makeup products are a great example. A dozen different types of products are readily available to make one’s eyes look bigger and more defined: mascara, eyeliner, eye shadow, eyelash curler, eyebrow shaper, highlighter, etc. In East Asia in particular, the desire to have the Western look has also led to the popularity of double eyelid (Bates, 2013). In Korean and Japanese cosmetics shops, one can easily find glue or sticker-like products that hold the skin of upper eyelid together, creating an illusive double-lid. For those unwilling to undergo surgical procedures to create double eyelids, those products are a way to go.
Yet, the segment within the cosmetics industry that is perhaps the most influenced by, shaped by, and reflective of the Western ideals, is skin whitening products. Colorism has effectively produced a social view that associates whiteness with superiority and darkness with primitiveness, something to be avoided and fixed. In her book Shades of Differences, Evelyn Nakano Glenn argues that light skin has come to hold symbolic capital that furthers one’s life chances (2009, p. 166). This relates to the concept of beauty queue in society, whereby the level of beauty and social status are judged by the shades of complexion, the lightest at the top and the darkest at the bottom. For such reason, men and women from all parts of the world have strived for lighter complexion by consuming copious amounts of skin whitening products, supporting a multibillion-dollar global industry.
In the Asia Pacific region, the skin lightening market was valued at over US$13 billion in 2012 (Tan, 2012). In African continent, studies have found that up to 50% of population use skin lightening products in Dakar, Senegal; and even up to 77% in Lagos, Nigeria (Ntambwe, 2004). Almost all major cosmetic brands have a product line specifically dedicated to brightening care: Estée Lauder’s ‘CyberWhite’, Shiseido’s ‘White Lucent’, Clarins’s ‘Bright Plus’, Vichy’s ‘BiWhite’, Chanel’s ‘Le Blanc’. The list is endless. The prevalence and magnitude of the industry indicate how the widespread Western ideal of beauty and reverence for lighter skin tone has led to increasing demand for skin whitening products. The unabated expansion of the skin whitening products is a clear manifestation of colorism in action.
The highly interrelated relationship between the cosmetics industry and the Western beauty ideal can also be traced back from the other way around. The cosmetics industry work to constantly and persistently reinforce the ideal into the mindset of people, making it into an accepted social norm. Commercials by cosmetic firms continuously remind the consumers of what they should look like, and thus eventually what they should consume in order to achieve the said goals. These commercials tactically employ models that will spark the feeling of desire, which make the viewers think the goal – of looking like the model – is attainable. In essence, the models will look Caucasian enough to fit the White beauty standard, yet still possess enough ‘local’ features not to alienate the viewers too much. For instance, in Japan, half-Japanese and half-Caucasian models have rose to prominence for such reasons, brining the ‘ha-fu boom’ in entertainment and media (Krieger, 2010). In such manner, the constant bombardment of strategically produced advertisements on TV, magazines, and in shops, works to ensure the beauty ideal is here to stay.
As seen in the case of skin whitening products, the industry ushers consumers to fix their blemishes and dark spots, to get rid of undesirable features, and to become closer to the ideal beauty. Prominent cosmetic manufactures reveal supposedly bettered, new products every season. The products are ‘upgraded’ in a sense that they claim to produce better results, such as longer eyelashes, darker eye lines, more durability, brighter effects, to name a few. Consumers absorb such ideas: those results are good; those results are better; those results are what they should seek after. Through this process, the beauty standard gets repeatedly ingrained in the subconscious of society as a whole.
There is a wide range of factors at play that help maintain the global obsession with the White ideal of beauty, and especially that of light skin tone. One of the perpetuators is the cosmetics industry. In modern capitalist economy in which consumerism has become the social norm, the cosmetics industry prospers, thanks to the consumers’ ceaseless quest for beauty as dictated by the Western ideal. The quest for fairer skin, in particular, embodies the reality of colorstruck world – to borrow Verna Keith’s words – where colorism is firmly established as part of social structure.
The cosmetics industry and the White beauty ideals function as lifeline to each other. The ideals condition society for the industry to profit from, while the industry works to reinforce the ideals. It is a mutually interdependent, symbiotic relationship. If we want to start tackling the racially charged foundation behind the White ideal of beauty, we must first understand how it is perpetuated and internalized by consumption of products that cement the said ideal. Only when both ends are understood and questioned, can the process of deconstructing the colorstruck world begin.
by Lilia Yamakawa
In 1985, US President Ronald Reagan agreed to visit a cemetery in Bitburg, Germany to lay a wreath in honor of Germany’s war casualties. Reagan’s team of advisors did not do their homework, and it was later discovered that the cemetery contained graves of some of Hitler’s elite officers who had taken part in the massacre of Jews. Here was a president who always talked about “American values”, and he was going to pray for soldiers who had caused the Holocaust. There were strong protests by Jewish groups, US congressmen, US military officials, and regular citizens who all urged Reagan not to make the visit. He felt he could not cancel, however, and instead, a trip to a nearby concentration camp was also scheduled for the day of the cemetery visit. Reagan was not anti-Jewish, nor was he a Nazi sympathizer, and he himself had even served on the “right side” of the war. Although he had simply bumbled into the visit, the “Bitburg Fiasco” turned into one of the lowest points of Reagan’s presidency. He and his handlers had failed to see the powerful symbolism of the visit.
One German political editor noted the day after the visit was announced that Germany “had been able to become a member of the community of civilized nations after the war not by denying but by accepting its Nazi past.”
The Reagan-Kohl idea of a historic harmony is, therefore, an insult not only to those who suffered and died in the camps. World War II was not just another European war. It was the darkest hour of European civilization. Its end brought to an end the world’s most atrocious regime and the world’s hitherto most dangerous conflict. It also laid the basis for a democratic West Germany and a united West (Lou, 1991).
Japanese Prime Minister Shinzo Abe, on 26 January 2013, made his second visit to Yasukuni Shrine, a powerful symbol of Japan’s wartime militarism. Unlike Reagan who had bumbled into his visit, Abe went on purpose. Unlike the Americans, who had fought against the German aggressors, Japan was the aggressor. Unlike many Japanese leaders who deny many wartime actions, the Germans have accepted their Nazi past. Thus, it is understandable that the Koreans and Chinese would be upset by visits to Yasukuni by Abe and other officials.
This post explores national identity and visits to Yasukuni Shrine by Japanese government officials. I examine how the visits help to form and strengthen a sense of nationalistic, racist self-identity among some Japanese. I will also show how the visits help to form a particular identity of Koreans today. This paper is based on Benedict Anderson’s (2006) Imagined Communities.
First, with regard to Japanese identity, Yasukuni Shrine shows us a negative side of Japanese nationalism and patriotism. Twelve class-C war criminals are enshrined at Yasukuni. In fact, the government pressured the shrine to include the war criminals in 1978. The museum at the shrine, the Yushukan, does not show the atrocities that the Japanese army brought on its neighbors in Asia, controlling the way history is remembered. The shrine symbolizes the beliefs of ultra-nationalist right-wing groups today. Japanese officials not only insult Asian neighbors when they visit the shrine, but they also make the Japanese identity look bad to the world. Finally, while there is supposed to be a separation of religion and state, Yasukuni Shrine seems like a very political place that portrays nationalism based on “us vs. them.”
Love and self-sacrifice are important parts of a nation’s identity, and Yasukuni is a symbol of that positive side of nationalism and patriotism. Anderson points out that a love of nation is often expressed in its literature. Emperor Hirohito paid a visit to the shrine and wrote a poem that said: “I assure those of you who fought and died for your country that your names will live forever at this shrine in Musashino.” Because of this, soldiers who went to war would say “Let’s meet at Yasukuni.” These words signify loyalty to the emperor, to the nation, and to the Shinto religion. In this way, it was and remains a symbol of love and self-sacrifice.
People who believe it is the right or duty of Japanese, even government officials, to pray at Yasukuni argue that it is a spiritual place. To worship at Yasukuni is an act of love and gratitude to those who fought and died for Japan (John, 1991). Many Japanese also believe it is the right of the people of a nation to worship whoever and however they choose to worship.
Anderson discusses the roots of racism and says that in some cases it came from social class differences rather than nationalism. But in the case of the Japanese, is it possible that nationalism and racism were pretty much the same thing?
Koshino Kosaku is a sociologist who studies Japanese identity. He argues that “racialism” includes racism but is broader in meaning. He describes race as a socially constructed and imagined community because it does not have a real biological foundation, and because most members of the group don’t actually know each other. Although the Japanese are mixed, many of them imagine that they are a racially distinct and homogeneous group. These people believe that being Japanese is an unchosen result of nature. The Meiji leaders invented the idea of Japan as a “family-nation of divine origin.” All Japanese were supposedly related to each other and to the emperor. “Kinship, religion, and race were fused to produce a strong collective sense of oneness” (Koshino, 1998).
Koshino says that the notion of blood ties is still a part of the Japanese subconscious. The idea of Japanese blood makes the idea of “us v. them” stronger. Japanese culture is associated with a “Japanese race,” and Japanese tend to be possessive of their culture. Many people believe that no matter how long Chinese or Koreans live in Japan, they will always remain Chinese and Korean because they are different “minzoku”. He says the concept of “minzoku” can mean race, ethnic community, and nation. Anderson says that a nation is closed because it is something you don’t choose. It is, however, also open because through language and naturalization you can enter a nation. It seems that as long as the Japanese tend to think of themselves as a separate race and continue to feel racist toward others, Japanese nationalism is much more closed than open. Abe’s visits to Yasukuni only make this racist identity stronger. (Koshino, 1998)
Next, we will discuss Yasukuni and Korean identity. Whenever a Japanese official visits Yasukuni, the Koreans protest. It seems as Korean nationalism has been strengthened through protest against Japanese policy. Recently, the Korean president refused to negotiate with the Japanese because Japan refuses to apologize for its wartime actions. One Korean said that he can not talk about the history of his country without talking about what Japan did when it controlled Korea from 1910 to 1945.
Jukka Jouhki discusses the Japanese politicians’ visits to Yasukuni and the impact of those visits on Koreans. In the following passage he describes Yasukuni as a “wormhole”:
Symbolically, Yasukuni can be thought of as a wormhole that goes through time and space. When this wormhole crops up, the entire Korean nation seems capable of being transported backward into the era of Japanese colonial rule. (Jouhki, 2009)
Jouhki says that the Korean image of Japan is as it was in the colonial period, and Yasukuni represents imperial Japan just as if it were now. The image exaggerates the difference between us and them, Korea and Japan. He says that when the Koreans were colonized, it made the Koreans see themselves as “Other”, just as they saw the Japanese as “Other”, and Yasukuni represents an identity that they are still trying to work through. Therefore, Japanese leaders’ nationalism, expressed through visits to Yasukuni Shrine and the museum and textbooks that fail to show wartime atrocities, is not only a means to form a certain Japanese identity. It seems that Japanese nationalism strengthens a certain Korean identity as well.
Amartya Sen writes that a sense of identity can be positive because it makes us closer to others in our group, but it can also be negative because it can cause a deep feeling of division with those who are outside your group. He talks about how Al Qaeda tries to create a militant Islamic identity so that the people will feel the West is separate and bad. In the same way, Abe’s visit to Yasukuni creates sense of division from both the side of Japanese and Koreans.
The illusion of unique identity is much more divisive than the universe of plural and diverse classifications that characterize the world in which we actually live. The descriptive weakness of choiceless singularity and … the illusion of destiny exacts a remarkably heavy price” (Amartya, 2006).
Visits to Yasukuni can cause certain groups, both Japanese and Korean, to get caught up in one identity, forgetting they have diverse identities, and this can lead to conflict. These visits cause some Japanese to identify themselves as Japanese in a nationalist, racist way. They can cause some Koreans to identify themselves as Korean and the former victims of Japanese imperialism in an overly nationalistic way.
Clearly, Yasukuni Shrine is a symbol of patriotic love and self-sacrifice. It depends on your political beliefs as to whether you think this is a good thing or a bad thing. I believe the people were used and sent to war by the Meiji oligarchs in their official nationalism, and they need to be prayed for. However, I believe, that we should pray for them in a place that is not so political and insensitive to the Koreans and others. It leads to a nationalist identity, on both sides, that is divisive and may lead to conflict and violence.
by Sheena Sasaki
When does education start? The official education may start from the enrollment of elementary school; however, education itself has begun long before. One of the educational tools for children under age of elementary school is picture books and verbal stories. It is not rare to see the scene where mother is telling bedtime stories to her children. The story and picture book the mother chooses deeply influences the children’s education. This post focuses on three well-known bedtime picture books/stories in Japan, and examines the influences of the picture books, stories, and the character of the story to shape children’s beliefs and education.
How do Japanese children learn morals and values, and why do they decide to follow such social rules? Without a question, a person or people who raised the child would significantly influence shaping the base of the child’s moral belief. My mother used the picture book, Ehon: Jigoku by Tsuguo Miya (1980) as part of moral education. The book vividly illustrates many different parts of jigoku, the place similar to the underworld of Greek mythology. In this place, dead people are judged by Enma-daio, the judge of jigoku, about their behaviors when they were alive. Ehon: Jigoku uses very detailed and brutal pictures to graphically explain how the dead are punished for certain bad conduct and crime. Miya (1980) writes in the preview that the purpose of Ehon: Jigoku is to embed the idea “death is very fearful” into children’s mind since fear against death may be coming from human instinct, however, is possible to strengthen through education. He continues that people who lived during the period with underdeveloped medical science taught their children to stay away from danger and to feel deep attachment to their lives by showing pictures telling stories of jigoku. Thus, Miya (1980) concludes that the book may be one of the sagacities that ancient Japanese have created.
The book gives the readers a great impact of punishments for certain misbehaviors. Children who read the book may be traumatized by brutal pictures and strongly feel that they do not want to go to jigoku. As they grow older, those children may not believe in the life after death anymore; however, sense that they are being watched by somebody remains.
The key of jigoku is that people are being punished there. No matter how much people deny and hide their bad conduct and crime, the judge knows. As a result, many children behave better to appeal to Enma-daio that they do not deserve to be sent to jigoku. Thus, building sense of being watched by somebody is important to lead children to follow moral and rules. Without that sense, children may misbehave since their mothers are not watching, and such children may accept shoplifting when no one is near and quickly drive away when they runs over a person with a car.
There is a phrase in Japan which means, “there is ear on the wall and eye in the door.” The phrase addresses that it is almost impossible to have privacy since there is always a third person behind the curtain. Thus, Japanese adults tend to care very much about their behaviors in the public and reputations. Although children will not read picture books after they become adults, nonetheless, the sense which had been planted during their youth that there is invisible judge remains. Hence, picture books largely influence children to build moral beliefs and to follow social rules.
In his book Imagined Communities: Reflections on the Origin and Spread of Nationalism, Benedict Anderson (1983) states, “to serve the narrative purpose, [the ongoing mortality rate, exemplary suicides, poignant martyrdoms, assassinations, executions, wars, and holocausts] must be remembered/forgotten as ‘our own.’” (p. 206) He argues that people’s memories and images towards history are at many times purposely constructed by the others especially the ones in power. The bedtime stories are also a part of memory construction.
When being taught about World War II, the information given to Japanese children tends to lean towards the Hiroshima bombing. Along with the story of the thousand paper cranes, children are told story of a girl named Sadako Sasaki who survived the bombing itself but passed away due to the effects of radiation exposure.
The story starts with explanation of character Sadako, how she was energetic and healthy elementary school girl. However, she falls extremely sick. Sadako wished upon the paper cranes she folded during her hospitalization that someday she will recover her health. After her death, she became the heroine of a moving tale, as a girl who fought against leukemia and never gave up hope. Today, the story of Sadako is known throughout Japan, and her statue of raising a big paper crane was built as a representation of hope and peace.
However, the story does not end as just the moving tale. Her story overly emphasized Japan as a victim of the World War II, not a fighting actor. Hence, Sadako makes Japanese “remember” about the Hiroshima bombing and the terrifying influence of nuclear weapons. On the other hand, it makes the citizens unconsciously “forget” that Japan also fought during the war and killed innocent children like Sadako. With the use of child’s story, the nation cunningly victimized her citizens and successfully represented herself as poor and weak being.
The issue lies where children do not notice the hidden “remember and forgetting” purpose of the story. Their impression would simply be “poor Sadako” as the government has intended. Thus, from youth, people are forced to see and believe an extremely narrow field of vision. They are blinded by the parents, teachers, stories, education, and nation sometimes unconsciously and at many times, consciously.
Bedtime story heroes are also used to serve the purpose of government. Momotaro is the most famous hero from didactic fiction in Japan. The story is very simple. Momotaro, who was born from a peach, decides to rescue a princess from creatures. With his three friends—a dog, a monkey, and a pheasant—Momotaro reaches the island of the creatures, defeats the evil, and becomes a hero.
The message of the story is similar to Ehon: Jigoku that the evil will be punished. Additionally, the story also holds the message righteous justice wins. Children are taught from the story to help others. However, this hero was used by the Japanese government in propaganda films during World War II.
Momotaro no Umiwashi and Momotaro: Umi no Shinpei were both directed by Seo Mitsuyo and released consecutively in 1943 and 1945. The earlier movie, Momotaro no Umiwashi is based on the bombing of Pearl Harbor. The main character Momotaro attacks the island of the evil with air force and results in victory. The second film Momotaro: Umi no Shinpei illustrates the civilization and colonization of Japan with musical. The hero Momotaro defeats the creatures controlling over poor animals, takes land away from the evil, and civilizes the animals.
Since both films were animated and used Momotaro as main hero, children and even adults repeatedly watched the film. Pretty characters and comical battle scenes enabled Japanese citizens to watch a war movie without hesitation. However, unlike the original story, creatures were represented in human form, and to be more specific, the Americans and British. The film visually shifted the antagonist from creatures to human foreigners. Thus, children are planted with information foreigners (especially Caucasians) are evil and it is necessary to fight against such evil “people.”
Both films are now considered well-made propaganda films. However, the audiences back in the time did not recognize the films as propaganda. Joseph Goebbels, Adolf Hitler’s famous propagandist, once stated “Propaganda should be popular, not intellectually pleasing. It is not the task of propaganda to discover intellectual truths” (Goebbels, 1928, para. 31). His propaganda principle also argued “To be perceived, propaganda must evoke the interest of audience and must be transmitted through an attention-getting communications medium” (Doob, 1950, p.426). According his theory, a good propaganda movie is one which would not be recognized as propaganda film. Both movies used a popular hero, evoked interest of the audience with animation and musical, and were transmitted through the communication media of film. As a result, a bedtime hero became a propaganda hero.
In summation, before their schooling, children are educated with bedtime stories which construct their core images of the world. Brutal pictures of life after death structures and make them follow the social rules. Additionally, as tool for “memory and forgetting,” bedtime stories based on real events sometimes are used to victimize the nation during wars the nation also fought.
The character of the story may turn into propaganda hero to make children feel familiar with war. At the level of globalized society today, it is possible to break the wall of “memory and forgetting” of nation’s history and education. However, the study of internationalization and globalization is still considered to be “high level” and is not taught in elementary school. Students face difficulty changing the core beliefs that were planted during childhood; the magic casted by the stories strongly remains in heart.
Mascots are everywhere in Japan. Often anthropomorphized and cute, they represent companies, cities, and even the Japanese Self Defense Force. They came about after the economic bubble crashed. The national government decided to decentralize, putting more responsibility on the prefectures and cities (Birkett, 2012). Because of the economic bubble, there had also been a mass migration out of the countryside and into the cities (Birkett, 2012). Smaller cities had shrinking populations, both from aging and emigration as well as the problems of the economic depression (Birkett, 2012). So a new way to promote cities and create city pride was made, mascots or characters that represented cities (Birkett, 2012). The mascots speak the local dialect and are often based off of a city’s historical legend or city’s industries (Occhi, 2012).
This marketing tool became very popular and now there are over 800 mascots in Japan (Kracker, 2013). Each prefecture has at least 2 mascots and some have over 50 (Tan, n.d.). These mascots help create the imagined community of the city and become the representation of the city. The characters participate in community events and some of these events become so popular they bring in tourism (Birkett, 2012). These characters have been shown to be very popular with children and the elderly (Tan, n.d.). Some mascots become popular even outside of their city. An example of the massive popularity of mascots can be shown with the mascot grand prix a national event in which people vote on their favorite mascot. The ideas that will be discussed in relation to the mascotization are mascots as soft power, creating imagined hometowns, mascots and their connection to the past, and mascots similarity to invented traditions.
Soft power as defined by Joseph Nye is the ability to influence events and people (2005). While Nye was looking specifically at countries, anything can have soft power. The soft power of the mascots is created in different ways from other organizations, with mascots it is often done through cuteness. Mascots are made to be marketing tools and cuteness is an important component of that marketing (Birkett, 2012). Cuteness is not unique to marketing mascots, it is quite widespread in Japan (Madge, 1997). During live events, the cuteness of the mascots helps create approachability and familiarity that is not possible between two people (Birkett, 2012). This familiarity helps foster the imagined community of the city and from that people feel pride in their cities. The public’s connection to the mascots did not start at events, but through contest were amateur artist create possible mascots and they are voted on by the public and there are also contests for mascots’ names (Occhi, 2012). This connection is then used, indirectly, when mascots are used in marketing that is aimed toward the public, similar to how celebrity endorsements are used (Occhi, 2012).
Mascots at events are played by people wearing costumes and are able to interact with the people around them (Occhi, 2012). These events are specifically working to promote the connection between the mascot and the people (Occhi, 2012). These events are aimed at children and families and used to reinforce the both the characters and the sponsors (Occhi, 2012). The sponsors are usually companies or branches of local government (Occhi, 2012). Many of the mascots also promote traits like kindness and cleanliness (Occhi, 2012). At these events there are also various group activities that promote the idea of togetherness (Occhi, 2012).
Part of the soft power that mascots have is the fact that they are not seen as marketing tools, but as a friendly character something between a mascot and a human (Birkett, 2012). Some of the popular characters get fan mail and talk with their fans over twitter (Birkett, 2012). One famous character, Kumamon, made over 2.5 million yen in merchandise sales (Birkett, 2012). These characters represent their city or prefecture and so are also popular with tourists (Tan, n.d.). Mascots have been successful marketing tools (Birkett, 2012). They can also fail, only some of the characters are popular, usually the more rounded and soft mascots and not the more human shaped mascots (Occhi, 2012). The soft power of mascots is created through their cuteness and approachability. They are aimed at children and families. They are used to market cities, local events, and the mascot’s sponsor.
Mascots were not the first thing to be tried to help revive towns. There was push before them for creating “hometowns” which were the idea of traditional Japan and were said to be the hometowns for urban people, profiting off of the nostalgia of urban people (Birkett, 2012). The connection to the past was not only for the tourists’ sake. The town’s reconnection to the past was also important for the townspeople to feel pride and connection to their town (Birkett, 2012). Towns would also promote some rare product, natural resource, or legends tied to the place and create merchandise of it (Birkett, 2012). Some attempts of merchandising failed because it was available everywhere, however some became successful because they could only be bought in one shop (Birkett, 2012).
Mascots have been the most successful form of marketing for towns. The mascots share similar ideas to previous marketing schemes. Mascots are usually based on either the industries or the legends of the area (Birkett, 2012). When the mascots are using a figure from history or a legend, the connection is always to the ancient past. One of those mascots is Sento-kun. He was created for Nara’s 1300th anniversary as the embodiment of Nara (“Sento-kun’s profile,” n.d.). He is a young boy with deer antlers to represent the deer in Nara (Hashi, 2011). He is heavily connected to the past because they created him to be the new protector of Nara as other deities were before him (“Sento-kun’s profile,” n.d.). The mascots that are based off legends and traditional creatures vary from Yoichi-kun based off of the archer Nasu no Yoichi from the Tales of Heike to demons and the kappa (Birkett, 2012). All of them have been redesigned to be cute. They are a reinterpretation of the past not completely disconnected from it, but clearly changed (Occhi, 2012). The mascots have been the latest and most successful form of marketing for the towns. The mascots are similar to the previous marketing schemes in promoting the towns with their unique products and connection with the past.
Mascots share attributes to invented traditions. Invented traditions are traditions that have been created recently, but are made to seem as if they are a tradition from the past (Vlastos, 1998). The purpose of the traditions is often to support the status quo. Instead of being from the past, mascots inherit the past. Their purpose is to promote the community similar to some invented traditions that also support group identities. Mascots also promote the status quo, promoting only positive ideas and parts of the past.
Representations of the community, connections to the past, invented traditions, imagined hometowns, and soft power are all discussed in the paragraphs before are also present in national imagined communities. The first parallel is with banal nationalism. Banal nationalism is when an imagined community has objects that make the community feel connected, like flags (Billig, 1995). For cities, the mascots become those representations for the community, while the ties to the cities are not are strong as with the nation there is still the imagined community and the reinforcement of it through the mascots.
Another parallel is with the connection to the past. Nation-states often connect themselves with the past and use the past to support their positions with invented traditions (Vlastos, 1998). In this same way mascots and cities are also using the past for their own ends, which are creating pride in the city.
The next parallel is imagined hometowns and imagined pasts. Imagined hometowns do not have any direct parallel to national imagined communities, but when looking at the ideas that make up imagined hometowns there are parallels. When making imagined hometowns recreates a romanticized Japanese past (Birkett, 2012). Recreating an imagined past is also something that national imagined communities will do as well (Anderson, 2006).
The final parallel, soft power, is one of the more obvious parallels. Both imagined communities have goals that they wanted accomplished through their citizens, the difference is the goals they have. Mascots and the imagined city communities share more resemblance to national imagined communities than would first be assumed.
Created to foster city pride and market the city, mascots have become successful in those goals and beyond. The creation of city pride has had the inadvertent effect of creating imagined city communities around these mascots with various parallels with national imagined communities. The mascots also now have power themselves that is used to market the city, local government branches and companies. The mascots and Japanese city pride show another variation of imagined communities and how marketing can be intermixed with that.
by Sheena Sasaki
What is Japanese traditional food? What is Japanese worldwide known food? I am sure some people would tell me the answer sushi. However, sushi (vinegar rice topped with piece of raw fish), famous Japanese food, began to be eaten since Edo Period. Compared to relatively new nations such as the United States, 400 years of history for food may be long “tradition.” However, compared to Japanese history, which lasts since era of B.C., it is not significantly long. More important, sushi had been eaten only in limited areas of Japan since it uses fresh fish. Referring to Japanese geography as a mountainous land, it is impossible for some parts of Japan to come up with food such as raw fish. However, as the nationalization and globalization have taken place in Japan, sushi has become domestically and internationally known as a ‘traditional’ food of Japan. Thus, nationalization and internationalization have played a significant role in the invention of tradition in Japan.
This invention of tradition is becoming an issue in Japan today. In September 2013, the Japanese Supreme Court finally accepted that the law that limited children born outside of marriage to inheriting only half the amount of “legitimate” children, as discrimination and a violation of Japan’s Constitution. Japanese denial and rejection of “illegitimate” children, adopted children, divorce, and married couples having different surnames is quite strong even now. It is not surprising to hear that children born outside of marriage were bullied in the school they attended during their youth. Also, some parents tell their children not to play with such children just because they lack real parents or their parents use different surnames.
Why do Japanese citizens strongly oppose different styles of family? Many people answer: “Because we do not want to destroy the traditional family system of Japan.” This traditional system of family is based on “ie (家)” and “koseki (戸籍)” which respectively mean house and family legislation. Thus, many Japanese citizens resist changing what is written on their koseki, with the exception of when a woman is married. However, the history of koseki is not so long as to be called traditional.
Influenced by Germany, Japan created the koseki system during the Meiji Period, the era of Japanese nationalization. The system was to support one royal family, imperial family of Japan. The imperial family is unchangeable, meaning one single bloodline is considered to be imperial. Thus, for this family to hold stronger and more important meaning, member of one koseki was also to pass down one blood. The Meiji-era civil code also stated that an ie must consist of single surname, single koseki, and single bloodline. Here, we see the family system putting an emphasis on one bloodline, which is considered as tradition today. In opposition to the word “tradition,” before the Meiji Period and the creation of koseki system, it was common to see adopted children reign as the head of the household. Compared to the ie system today, the family system used to emphasize more the surname of the household rather than bloodlines. Therefore, what is said to be the traditional family system in Japan has existed for only 100 years.
There is Japanese phrase “furuki yoki (古き良き)” which means that “old is good.” However, the invented tradition of the Japanese ie system does not seem to bring good anymore. Year by year, there is an increase of divorce, child adoption, and single parenting. These shapes of family are not considered proper families, and are targets of discrimination. Although the Japanese government has admitted that the law discriminates against certain children, the law itself has still not changed. The curse of “furuki yoki” still dominates the sense of discrimination.
Some links to news reporting issues of rights for illegitimate children
“婚外子差別の撤廃へ 民法改正案を閣議決定、戸籍法の改正は見送り” http://www.huffingtonpost.jp/2013/11/12/kongaishi-minpo-_n_4258246.html
by Seimu Yamashita
The concept of “white supremacy” has spread almost everywhere around the world, along with colonization. This concept of deeming lighter skin as better has been problematized since it contains aspects of racial discrimination, compared to other physical traits, such as height. This paper will deal with colorism, which can be a form of racial discrimination, but is simply discrimination according to skin color. It is not common to find a distinct lighter skin color preference or privilege in Japan like that in India, possibly because of its mostly homogeneous population. However, a preference for a fair complexion as a form of beauty still exists in Japan. This paper will address colorism in Japan by looking at Japan’s marriage scene, which is assumed to have a clear connection with colorism. This paper will analyze how Japan’s marriage scene relates to the concept of white supremacy, addressing how fair complexions are preferred over other skin colors, and treated as a trait of beauty in women.
The first part of this essay will describe the history of fair skin as a beauty trait in Japan. The second part of essay will explain Japan’s marriage scene, and the role fair complexions play in the shifting scene. The third part of the essay will describe how there is still a preference for fair skin in modern Japanese society. Finally, a conclusion will be drawn by comparing the situation of the preference for fair complexions in Japan with other multi-racial countries.
It is crucial to know the origin of the preference for fair skin in Japan. White skin is actually a traditional concept of beauty, with the notion of fair complexions as beautiful in Japan started in the Heian Era, from 794AD to 1192AD (Graham-Diaz, 2001). The reason for the preference of fair skin back then is quite different from today. The lifestyles of rich, noble women who were considered sophisticated and classy during the Heian Era consisted of just staying indoors in their residence without going outside, waiting for the men to be back. In this era, it was semi-dark inside the residence even during the daytime and there was not enough light at night thus women needed to have extremely white complexions, so that the face would stand out and be attractive in such environment where there is not enough light. That is why the tradition of putting powder on their face to make it look white began. White powder thus became a common make-up to look beautiful in the Heian Era. However, the trend of applying heavy make-up on the face did not last long, and died out after the Heian period. It was in the Edo era (1603AD to 1868AD) that such make-up became popular again. This style of make-up still remains in Japan on maiko and geisha who are now symbolic of the traditional city of Kyoto (Graham-Diaz, 2001). Although the standard of other physical preferences in Japan differed in different times of history, women with fair complexion have been always preferred, not just during the Heian and Edo periods.
In this second part the focus will shift to Japan’s marriage scene, which is a great scene to view the preference of fair complexions even through the many shifts and changes over time. In Japan, there have been two types of marriage: arranged marriage s and love marriages. Although more than 90 percent of today’s marriages in Japan are love marriages, arranged marriages were more common until a few decades ago. Data show that the shift of the percentage from arranged marriages to love marriages in Japan has been dramatic. Arranged marriages accounted for nearly 70% in the 1930s, but the proportion of love marriages gradually increased, whilst arranged marriage decreased relatively. The number of love marriages surpassed the number of arranged marriages only recently in the 1960s (National Social Security, Population Problem Research Center, n.d.).
The traditional Japanese style arranged marriage is called miai. In the process of miai, a written profile with a picture called tsurigaki is used as a marriage resume that helps find a marriage partner (Hendry, 1981). A person who wants to get married gives his/her tsurigaki to a matchmaker. The matchmaker tries to find a good partner for them either from other tsurigaki he or she has or from tsurigaki other matchmakers have. The matchmakers pass the tsurigaki to the potential couple, and if they are interested, they can arrange a meeting.
In miai, there has been racial, class, and genetic discrimination. The most common discrimination was against members of the Burakumin. A matchmaker requires candidates to submit a family history to prove that they are not a member of the Burakumin. Many Zainichi Koreans were also discriminated against for being non-pure Japanese. Members of the Ainu, an indigenous people in Hokkaido were usually avoided as well. As a genetic discrimination, descendants of hibakusha, those who were exposed to radiation from the atomic bombs in Hiroshima and Nagasaki were avoided since there were stories of possibilities of rare diseases (Uchida, 2002). Due to such discrimination, those people could not even have the opportunity for having miai.
There was also a preference for women with a fair complexion; however, this did not mean people of darker complexions could not participate in miai. The existence of a preference for a white skin was because of its beauty, and a belief that can be seen from an Japanese old proverb: 色の白いは七難隠す, which literally means a fair complexion hides faults (Old Proverb Dictionary, n.d.). It is basically saying that as long as a woman has fair skin, she can be forgiven for her faults. Thus even if a woman’s other features are not considered beautiful, having a fair complexion is the most important in determining her beauty.
This third part will address a preference for a fair skin in modern Japanese society. As stated in the introduction, it is not really common to feel and find white supremacy recent days in Japan. As can be seen by the explanation of white skin as form of traditional beauty, this may be because white skin is not associated with Europeans or being a different race. It only means having a fair complexion compare to everyone else in society who are mostly Japanese. As the form of marriage shifted to love marriage and people desperately look for love, the online matching site became popular in Japan (Tokuhiro, 2010). Getting deeper into the online world, more casual version of matching site, online dating sites also appeared. People especially young generation use the site to meet new people. On the website, they make profile for other people to look at. Thus, modern days tsurigaki is online and more casual. Same as a miai picture, a picture is important for the profile to give good impression on both matching site and online dating site.
Recently, girls use apps to edit their photos to make them more attractive. For example, they make their face look whiter and make their eyes bigger. Another type of edited photo that is used for profile is purikura. Purikura is a type of photo that is popular among girls in Japan.
Purikura automatically edits the people to look prettier. For example, it makes eyes bigger, makes legs longer, and sharpens chin and nose. The most obvious change purikura makes is the skin. It makes skin look brighter and whiter. Those effects of purikura reflect a physical preference for women. Hence, recently in Japan, we can acknowledge the existence of a fair complexion for women by looking at technology.
In conclusion, the form of marriage has shifted from arranged marriage to love marriage in Japan. Comparing to the marriage scene for example, in India, Japan’s preference in fair complexion seems to not be as prominent, but still exists. This may be because it is a relatively homogenous society, so everyone has a similar level of skin colour, whereas in India, there are different races that have differences in complexions. In Japan, the concept of white skin as beautiful has existed since the Heian period in the 1st century, and still exists today as can be seen in the purikura machines that automatically make girls have features that they believe are beautiful. The marriage scene reflected how women’s beauty were determined only by how fair their skin was, and how having darker skin put a woman at a disadvantage of being wanted as a bride, which in the end, is not so different to the discrimination in a country like India.
by Seimu Yamashita
I researched the relationship between Japan’s marriage scene and race and ethnicity by comparing the cases of Japan and India. The vast majority of marriages in India are arranged marriages, in which usually a family member initiates and determines the marriage partner. However, more than 90 percent of marriages in Japan are love marriages. If we look at the data showing the shift of the percentage of love marriages and arranged marriages in Japan, we see that arranged marriages accounted for nearly 70% of all marriages in Japan in the 1930s. The proportion of love marriages gradually increased (and that of arranged marriage decreased relatively), surpassing arranged marriages in the 1960s.
Japanese-style arranged marriage is called miai. In the process of miai, a profile with a picture, called tsurigaki, has been used as a marriage ad. It functions as a curriculum vitae for marriage. A person who wants to get married gives his/her tsurigaki to a matchmaker. The matchmaker tries to find its partner either from other tsurigaki he or she has or from tsurigaki that other matchmakers have.
In the miai process, there was racial, class, and genetic discrimination. The most common discrimination was against members of the Burakumin. A matchmaker requires candidates to submit a family history to prove that they are not a member of the Burakumin. Many Zainichi Koreans were also discriminated against for being non-pure Japanese. Members of the Ainu, an indigenous people in Hokkaido, were usually avoided as well. As a genetic discrimination, descendants of Hibakusha, those who were exposed to the radiation from the atomic bombs in Hiroshima and Nagasaki, were avoided since there were stories of possibilities of rare diseases. Due to such discriminations, those people could not even have the opportunity for having miai.
There were preferences in ascribed characteristics such as class and family standing in miai. Moreover, in miai, there was a preference for women with a fair complexion, but not as much as India’s case. The existence of a preference for a white skin can be seen from Japanese old proverb: 色の白いは七難隠す, which literally means a fair complexion hides faults. It is basically saying that as long as a woman has a fair skin, she can be forgiven for her faults.
In conclusion, the form of marriage has shifted from arranged marriage to love marriage in Japan. Comparing to the marriage scene in India, Japan’s preference in fair complexion seems to not be as prominent, but still exists.